Avatar: Fire and Ice


When I see any Avatar movie, the first three: “Avatar” (2009), “Avatar: The Way of Water” (2022) and “Avatar: Fire and Ice” (2025), I think of Pixar, the company that always puts out outstanding animated movies. Some of the best: “Toy Story” (1995, 1999, 2010, 2019), “Inside Out” (2015, 2024), and “Finding Dory” (2016). Granted, these movies are not nearly as complex and costly as the Avatar movies, which use live-action capture to create the characters. The difference is that Pixar movies consistently deliver a great story and screenplay, as well as exceptional animation. The reason for a high quality story is obvious, “how can we spend so much on great technology and not take the time to create a great story, dialogue and screenplay first”?

Unfortunately, all of the Avatar movies believe that record-breaking special effects are enough; the story is always secondary. “Avatar: Fire and Ice” is very similar to the previous movie; there is no real contiguous story, and too many examples of disconnected scenes and jumping around to different reasons for another special effect or action sequence. As with all of the Avatar movies, this one is once again, way too long at 3 hours and 15 minutes. There is no reason why this movie should be this long, with so many unnecessary scenes that have nothing to do with the overall story. This film could have easily been cut down to 2 hours and 30 minutes with no reduction in quality. Nobody in charge seems to realize that movies that are too long, can potentially greatly reduce the box office. Most people do not want to sit and watch a movie for over 3 hours, with movies normally lasting only two hours.

James Cameron started working on these Avatar movies in 2006, and now almost 20 years later, after the 3rd one has been released, there are plans for two more movies, with Avatar 4 scheduled for release in 2029 and Avatar 5 scheduled for 2031. In my opinion, it makes no sense why Cameron would want to spend the majority of his career as a screenwriter and director with one movie concept, even though these movies have advanced movie-making technology more than any other films.

This movie stars the same three main starts, Sam Worthington as Jake, Zoe Saldana as Neytiri, and Sigourney Weaver as Kiri. Other known actors include Kate Winslet, Stephen Lang, Giovanni Ribisi and Edie Falco as General Ardmore. All of these actors have to be grateful for big paydays that will probably last all the way until 2031 when the last Avatar is completed.

The Rotten Tomatoes ratings are a correct and low 68% with this review, being typical of the critics’ opinions: Michael Compton: “After taking a step forward with the previous film, Fire and Ash takes a giant step back — a film overstuffed with style but completely lacking any meaningful substance.” For a normal movie a 68% rating would mean failure at the box office, but like the other Avatar movies, this one will probably also gross over 2 billion dollars worldwide. My rating is 100% for the special effects and 65% for the story and a moderate recommendation.

Movie Review: Sisu: Road to Revenge


The new fictional World War II movie “Sisu: Road to Revenge” is not really a movie, but more of a series of violent action scenes with one man from Finland trying to get revenge against the entire German army. The reason for Aatami’s (Jorma Tommila) revenge trek, other than his country being invaded by Germany is not very clear, not that this matters in an unusual movie like this one.

The action scenes are almost all crazy, impossible, and insane, almost as off-the-wall as the inane action scenes in the latest Fast and Furious movies. The other obvious issue is that no human being can be injured as severely as Aatami and still be alive.

The only known actor in this foreign film is Stephen Lang, who plays the German leader trying to kill Aatami. There is an extremely violent fight scene at the end of this movie that is both impossible to describe and violates all laws of physics and basic logic. This last scene is the entire movie in a nutshell.

This movie is difficult to review, so I will agree with the very high 96% rating on Rotten Tomatoes, but only for the intense war action scenes. I will give this movie only 50% for its very limited screenplay and almost no dialogue. I recommend this film only for those who enjoy gratuitous violent action scenes and don’t mind a lack of a story.

Movie Review: Now You See Me: Now You Don’t


The new movie “Now You See Me: Now You Don’t” is the third and hopefully last in this movie franchise, the first two: Now You See Me (2013) and Now You See Me 2 (2016). In order to be relevant in Hollywood and make enough money to survive in California, one of the most expensive areas in the world, an actor has to keep making movies and money in order to afford the costs of living in a state where almost all of the movies are made. So making money over quality is a reality of life as an actor in Hollywood to much of the time.

Unfortunately great stories and screenplays are few and far between and this third installment was written and greenlighted only to make money and not to put out a quality film. The plot makes almost no sense, and just jumps from one unexplained scene to another one for two hours entirely for the purpose of showing some magic and misdirection, most of which is either impossible or ridiculous. The reason why screenwriting is so difficult is that the story has to make sense, action and scenes have to be explained and predefined, along with continuity throughout the entire story. This film has none of these essential ingredients.

The original cast returns in this movie, Jesse Eisenberg, Woody Harrelson, Mark Ruffalo, Isla Fisher, Dave Franco and Morgan Freeman. For this third film, new cast members have been added, which will probably mean there is a long term plan to extend this nightmare into new movies. The new cast includes Ariana Greenblatt, Dominic Sessa and Henry Fisher as they all try to stop a criminal mastermind Veronika Vanderberg played by Rosamund Pike from using Diamonds to launder money for other master criminals. On top of this being an overall bad movie, it is slow and very boring in too many areas, making the audience hope that it will all be over soon.

The Rotten Tomatoes rating is a too high 60%, with my rating around 20%, hoping that this will be end to a pretty stupid series of movies trying to be about magicians solving crimes.