Category Archives: Drama

Movie Review: Spider-Man: Brand New Day

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The last Spider-Man movie, “Movie Review: Spider-Man: No Way Home”, was released in December 2021, nearly five years ago. That movie had a plotline that continues into this latest franchise film, where Spider-Man’s two friends, MJ (Zendaya) and Ned Leeds (Jacob Batalon), do not remember who Spider-Man/Peter Parker (Tom Holland) is because, in the last film, the world discovered Spider-Man’s true identity. Peter Parker’s exposed identity caused many serious problems for his friends, forcing him to go to Doctor Strange to reverse time so that Parker could choose certain people in the world who were allowed to know Spider-Man’s true identity. Once again, for Marvel films like this, you have to suspend any level of common sense, and I considered this part of the story one of the most insane ideas within the Marvel franchise.

For this new film, Spider-Man has a new friend, Frank Castle/The Punisher (Jon Bernthal), and Detective Jean DeWolff (Liza Colón-Zayas) – who is one of the lead actors in “The Bear” Hulu series, and visits with his old friend The Hulk(Mark Ruffalo). Florence Pugh also makes an appearance as Yelena Belova/Black Widow, who has all of her scenes in a steam room, which I thought was too off-the-wall an idea.

Spider-Man is also very depressed, having lost his friends, and this time around, fighting nonstop crime is interrupted by some medical issues, with severe headaches that are suggested to be caused by his depression over losing his friends, including the love of his life MJ. He has many other medical issues, including his wrists’ spider web ejector either erratically working or not working at all.

The antagonist in this story is a woman named Jean Gray, played by Sadie Sink, who has the ability to invade people’s minds and force them to do whatever she wants, with the one exception being Spider-Man. Later in this story, Gray’s brain control ability increases greatly to being able to control the minds of everybody in New York City. All this creates many scenes of impressive special effects that are as good as, or in some scenes better than, all the previous Spider-Man movies.

I mostly agree with Rotten Tomatoes’ 91% rating, with my rating at 85% and a solid recommendation.

Movie Review: Motor City

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The last post on this movie review blog, “The Invite,” was a movie that was 100% dialogue and violated the screenwriting mantra, “show don’t tell”. The new movie “Motor City” is the exact opposite, with about 8 words of dialogue, “all showing, no telling”. In the history of moviemaking, Motor City very likely has fewer words of dialogue than since silent films, making production more of an experiment about trying something new than a viable new movie idea.

Motor City stars Alan Ritchson (John Miller), a man who has just been released from probation and works in a factory in Detroit, Michigan, in 1977. John has a girlfriend, Sophia (played by Shailene Woodley), who works as both a waitress and a call girl for an evil criminal, Reynolds (played by Ben Foster). The story that follows we have all seen before, as John Miller is arrested for a crime he did not commit and sentenced to 25 years in prison. How he was set up is explained, all without dialogue, through subtle scenes, facial expressions, and an engagement ring that makes an appearance in many scenes throughout this story. There are some impressive action scenes, with a climax between John Miller and another criminal in an elevator that looked like it took some time to choreograph. Unfortunately, this “no dialogue action movie experiment” did not work.

I agree with the low 66% ratings for this movie and do not recommend it.

Movie Review: The Invite

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When it comes to screenwriting, the number one mantra has always been, “This is a movie, not a novel, show don’t tell”. The new movie “The Invite”, directed by Olivia Wilde, written by Cesc Gay, Will McCormack, Rashida Jones, and starring only four actors, Seth Rogen(Joe), Olivia Wilde(Angela), Penélope Cruz (Piña), and Edward Norton (Hawk) – the entire movie takes place in one small New York City apartment – violating all aspects of the show don’t tell rule. Movies like this one, which is a well-done dialogue-only movie, prove that the show don’t tell rule should never be applied to all types of films.

The story starts with a married couple, Joe and Angela, who have who face many extreme marital problems, beginning with nonstop arguing and disagreements that continue through the first 20% of this film. The arguments start with Angela inviting two guests over for dinner, who are neighbors in their apartment building. Angela insists that she told Joe days ago that this dinner would be happening, and Joe does not remember this conversation – starting the “you never listen to me” standard marriage argument. Almost all of Joe and Angela’s arguments are petty and ridiculous, which adds a strong element of comedy to this mostly comedic movie. By the time the guests arrive, Angela and Joe are still in extreme argument mode, which, for the rest of this story, which is almost 100% dialogue, mutates into arguments with their guests, finding out who they are, what they do for a living, and why Pina and Hawk really came over for dinner this evening.

This movie would never have worked if the dialogue and acting throughout this 1 hour and 47 minute unusual film were not so well done. The Rotten Tomatoes ratings are too high at 97% for a film like this, with my rating a solid 85% and a recommendation.