Movie Review: Christy


The new movie “Christy,” starring Sydney Sweeney, is one of the very few movies about women and the sport of boxing. This story is about the boxing career of Christy Martin, who practically started the sport of women’s boxing in 1989. Martin’s career spanned 1989 to 2012 with a record of 49 wins, 7 losses and 3 draws. Martin fought in the undercard of the Mike Tyson undercard (Tyson vs. Bruno II), where her boxing match was the first women’s shown on a major pay-per-view.

Considering the physical challenges of making a boxing movie, including gaining 30 pounds and then having to lose all that weight, I was surprised that someone as relevant in the movie industry as Sweeney would take this role, considering that this is not a widely released big-budget movie.

Christy Martin’s maiden name is Christy Salters, and despite being gay she made the huge mistake of marrying her manager, James Martin, for all the wrong reasons, including worries about the press knowing that she was gay. Worse was that her marriage to her manager was extremely abusive, including a climactic incident where Christy was almost killed and somehow managed to survive multiple stab wounds and even being shot. After watching this scene in this movie, it is a miracle that Christy Martin is alive today.

The boxing scenes were mostly impressive, giving credit to the trainers and the hard work Sydney Sweeney put into making this film. The fight that happened between Martin and Laila Ali, when Martin was knocked out in the 4th round, appeared to be a fight that never should have been sanctioned by the boxing commission due to the 30-pound weight advantage that Ali had over Martin.

The low 66% ratings on Rotten Tomatoes are understandable because this movie comes off as too run-of-the-mill, seen this before, even though this is about a true story. For the hard work and good acting in this film, I give it a 72% rating and a marginal recommendation.

Movie Review: Bugonia


On December 23, 2023, I reviewed the movie “Poor Things” that starred Emma Stone, with the director
Yorgos Lanthimos is by far one of the worst movies I have ever seen. Like the other horrific movie “Everything Everywhere All at Once”, released in 2022, Poor Things was nominated for several Oscars, with Emma Stone, for completely unknown reasons, winning for Best Actress. Clearly, there is something very wrong with the Academy Awards voting process.

The new movie Bugonia is the fourth collaboration of Stone and Lanthimos, and while not as bad as Poor Things, this movie is insane, weird, disgusting, and disturbing, with an ending that, despite its off-the-wall craziness, I saw coming from a mile away. Emma Stone plays Michelle, a high-powered, very wealthy Pharmaceutical executive who works in an impressive glass building, drives an impressive Mercedes SUV, and lives in a palatial house. Unfortunately, Michelle has an employee named Teddy (Jessie Plemons) who works in one of the company’s warehouses, and is also a beekeeper, who has a dying mother and thinks that Michelle is an alien from another planet who eventually plans to kill everybody on the planet Earth.

Teddy kidnaps Michelle along with his mentally challenged brother Don (Aidan Delbis), taking her to their dilapidated house and tying her up in their basement. They shave her head because Teddy believes that she can contact her alien mother ship with her hair. Michelle’s baldness results in many scenes of close-up arguments between Michelle and Teddy, showing Emma Stone’s head and her face covered in a crazy-looking white powder, adding another strange element to this movie. There are occasional visits from a local police officer, Casey (Stavros Halkias), and ongoing conversations between him and Teddy about the time when Casey was Teddy’s babysitter and hints of child abuse.

Teddy’s mother, Sandy (Alicia Silverstone) has been dying for years and is currently in a local nursing home. It was unusual to see well-known actor Silverstone in a role that has almost no speaking parts that occur within flashbacks.

The ending of this film is both crazy and violent, with an attempt to shock the audience that failed because within a story this insane, the only conclusion that could have happened is the one that did happen at the end.

Like the horrible Poor Things from two years ago, this movie is receiving high 86% ratings on Rotten Tomatoes, once again scoring too high only because the ideas and scenes have never been seen before, and not because this movie is very good or great. The odds are high that this film will receive a Best Picture nomination, and Emma Stone will be nominated for Best Actress, this time hopefully she will not win again.

My rating for this film is 50% only for some of the acting, with an emphatic recommendation to run from this strange nightmare of movie-making.

Movie Review: Regretting You


The new movie “Regretting You” is a formulaic drama/tear-jerker based on the novel with the same name written by Coleen Hoover, which serves to prove how difficult an art form screenwriting is. There is a predictable, tragic event within the first 25% of this story, and then the problem is, where do you go from there? Unfortunately, the remainder of this story includes an entire daytime soap opera, with multiple discoveries of cheating that happened years earlier, with an on-again, off-again teenage relationship story fillers that, for the most part, provide scenes to make this rather bad movie its two hours.

Regretting You stars Allison Williams as Morgan Grant, McKenna Grace as her daughter, Clara Grant, with
Scott Eastwood as her husband Chris, and Jenny Davidson (Willa Fitzgerald) married to Jonah Sullivan (Dave Franco). They all create a love quadrangle involving two couples, all of whom have many secrets of infidelity. The problems with this movie are that it is too predictable, too boring in too many areas, with no real message after the two hours are finished.

This screenplay required many more rewrites and looks like it was rushed into production. The central climax/tragedy in this story happens too soon, and could have been corrected by more setup in the first act of this screenplay. The acting is OK, but due to the slow and boring parts, and the soap opera-like story there is no way this movie will be in theaters any longer than two weeks. This time around the extremely low Rotten Tomatoes of 30% is correct, with a recommendation to miss this movie.