Movie Review: Presence


The new movie “Presence” plays like a combination of Poltergeist (1982) and any one of the seven Paranormal Activity movies released from (2009-2021). The most interesting fact about this movie is the very unusual way the director Steven Soderbergh shows scene transition, with the end of the scene, a few seconds of black screen, and then immediately into the next scene. This is a technique I have never seen before, and gives a very unusual look and feel to this movie.

This story follows the same basic idea as Poltergeist. When there is a person who passes away under corrupt circumstances, the person’s spirit is not able to ascend to where it would normally go and instead haunts houses, to either prevent another wrong or right the wrong that happened to them when they died.

Presence stars Lucy Liu as Rebekah in one of her few starring roles in recent years and Chris Sullivan as Chris, who was one of the main stars of the great television series, “This is Us”, which ran from (2016-2022). Liu and Sullivan seem very unlikely as a married couple, something even mentioned during this film. They have two children, both of them in their late teens within a very dysfunctional family with a large number of arguments and foul language, especially from the teenage son Tyler played by Eddy Maday. The daughter Chloe played by Callina Liang is in constant conflict with her brother with arguments that constantly escalate and the underlying cause is that Rebekah favors Tyler over Chloe.

Throughout this film, there are several scenes that include the presence of a ghost, that eventually forces the family to hire a professional medium – much like the plot of Poltergeist.

The dramatic ending is both mostly unexpected and well done, with a final ending scene that was impressively acted by Lucy Liu.

The Rotten Tomatoes ratings are a high 87% and I mostly agree with this rating, due to the different director techniques introduced by Solerberg and the acting.

Movie Review: Flight Risk


One of the first things to recognize about the new Mark Wahlberg movie “Flight Risk” is that on all the movie posters there is a very small mention of director Mel Gibson. The reasons for this are because of Gibson’s drunken rant with police on July 28, 2006, which included anti-Semitic remarks and other offensive comments. Ultimately this incident 18 years ago derailed Gibson’s career in Hollywood. Gibson has had some comebacks over the years, most notably, directing the movie “Hacksaw Ridge”, released in 2016, arguably one of the greatest war movies ever produced. Considering this incident from 2006 and the ones that followed, it is rather remarkable that Gibson continues to work in the film industry.

The other issue I found unusual about this film is that Mark Wahlberg, who plays a small plane pilot who is a murderer working for a mob boss, shaved his head, with the idea that Wahlberg would look more evil if he was bald. Mark Wahlberg can play an evil person without being bald, so risking a shaved head for a movie (what if it does not grow back?) made no sense for this role.

The story of Flight Risk is a simple one. A former accountant for a Mob boss has evidence that can put him in jail. Unfortunately, this accountant, Winston, played very well by Topher Grace has tried to run away to Alaska only to be captured by an FBI agent Madolyn played by Michelle Dockery in a run-down Motel. Typical of Alaska, the only way to transport Winston out of the remote from where he was found to Anchorage is by chartering a small plane. This plane was piloted by a hit man hired by the Mob boss, Daryl, played by Mark Wahlberg. The first flaw here is when the FBI is involved they would hire their own pilot and use their own government plane, never risking what happened in this story. Once again Topher Grace seems to play himself in this story, recognizing him rather than his character, who is a nervous self-deprecating weak man.

After the first 15 minutes of this 87-minute movie is the interaction between the three characters as Madolyn figures out that Daryl is not the real pilot, and fights with him violently several times, eventually using her Tazer to subdue him. What follows is Madolyn figuring out via radio contact with her co-workers at the FBI that there is a mole that created this dire situation on this small plane that almost crashes into the mountains several times as Madolyn desperately tries to land with the help of an air traffic controller in Anchorage.

Overall, I thought this was a solid action movie with a believable plot and action scenes. This film does play like a typical January B movie release, but it will hold your interest throughout the 87 minutes.

I can only guess that the extremely low 21% Rotten Tomatoes ratings for this film are because of the ongoing hatred of Mel Gibson, with my rating 70% and a moderate recommendation for the acting and believable story and action scenes.

Oscar Nominations: 2024


BEST PICTURE

Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked

BEST DIRECTOR

Sean Baker, Anora
Brady Corbet, The Brutalist
Coralie Fargeat, The Substance
Jacques Audiard, Emilia Perez 
James Mangold, A Complete Unknown

BEST ACTRESS

Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

BEST ACTOR

Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

BEST SUPPORTING ACTOR

Yura Borisov, Anora
Kieran Culkin, A Real Pain
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice

BEST SUPPORTING ACTRESS

Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

BEST ADAPTED SCREENPLAY

Jay Cocks and Jay Mangold, A Complete Unknown
Peter Straughan, Conclave
Jacques Audiard, Emilia Pérez
RaMell Ross and Joslyn Barnes, Nickel Boys
Clint Bentley and Greg Kwedar, Sing Sing

BEST ORIGINAL SCREENPLAY

Sean Baker, Anora
Brady Corbet and Mona Fastvold, The Brutalist
Jesse Eisenberg, A Real Pain
Moritz Binder, Tim Fehlbaum, and Alex David, September 5
Coralie Fargeat, The Substance

BEST COSTUME DESIGN

A Complete Unknown
Conclave
Dune: Part Two
Gladiator II
Nosferatu
Wicked

BEST HAIR AND MAKEUP

A Different Man
Emilia Pérez
Nosferatu
The Substance
Wicked

BEST ORIGINAL SCORE

Daniel Blumberg, The Brutalist
Volker Bertelmann, Conclave
John Powell and Stephen Schwartz, Wicked
Clément Ducol and Camille, Emilia Pérez
Kris Bowers, The Wild Robot

BEST LIVE ACTION SHORT

“A Lien”
“Anuja”
“I’m Not a Robot”
“The Last Ranger”
“The Man Who Could Not Remain Silent”

BEST ANIMATED SHORT

“Beautiful Men”
“In the Shadow of the Cypress”
“Magic Candies”
“Wander to Wonder”
“Yuck!”

BEST ORIGINAL SONG

“El Mal,” Emilia Pérez
“The Journey,” The Six Triple Eight
“Like a Bird,” Sing Sing
“Mi Camino,” Emilia Pérez
“Never Too Late,” Elton John: Never Too Late

BEST DOCUMENTARY FEATURE

Black Box Diaries
No Other Land
Porcelain Wars
Soundtrack to a Coup d’Etat
Sugarcane

BEST DOCUMENTARY SHORT

“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“Instruments of a Beating Heart”
“The Only Girl in the Orchestra”

BEST INTERNATIONAL FEATURE

I’m Still Here, Brazil
The Girl with the Needle, Denmark
Emilia Pérez, France
The Seed of the Sacred Fig, Germany
Flow, Latvia

BEST ANIMATED FEATURE

Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST PRODUCTION DESIGN

The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

BEST EDITING

Sean Baker, Anora
Dávid Jancsó, The Brutalist
Nick Emerson, Conclave
Juliette Welfling, Emilia Pérez
Myron Kerstein, Wicked

BEST SOUND

A Complete Unknown
Dune: Part Two
Emilia Pérez
Wicked
The Wild Robot

BEST VISUAL EFFECTS

Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

BEST CINEMATOGRAPHY

Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Edward Lachman, Maria
Jarin Blaschke, Nosferatu