Movie Review: Mickey 17


The Oscar winner for Best Picture 2019 was “Parasite”, a win that had more to do with something new, in this case having a movie made in South Korea and a South Korean director, Bong Joon Ho win two major awards. In 2019, two better films were passed over for best picture, “A Marriage Story”, and “The Irishman”.

Once a famous director wins an Oscar for Best Picture and Best Director, they have the power to write their own ticket to receive funding to produce any movie they want for years into the future. Too often, having the clout to fund and produce a new movie results in a horrible film. A great recent example of this is Francis Ford Coppola’s movie from last year “Megalopolis”, when Coppola spent 124 million dollars of his own money to produce one of the worst movies ever made.

While the new movie “Mikey 17” is not as bad as Megalopolis, it is bad enough to make any top ten list for one of the worst movies ever released. Starting with the insane logline: “In a futuristic world on another planet, an expendable worker on a colonization mission, dies many times and then is recreated using a 3D printing machine that can create clones of any human being”. What is the point of the main character Mickey Barnes, played by Robert Pattinson, dying 17 times in a row, and then being recreated is never really explained in this story. There is another character in this film who appears several times dressed as a giant rooster – also never explained, even for those in the audience who have not fallen into a coma.

The entire film is about following Mickey Barnes as he falls victim and dies in one accident after another, and then winds up back again in the human cloning machine. The screenplay is nonsensical, disjoined, and largely makes no sense. Inside of 30 minutes, anyone watching this mess is looking at their watch, hoping for a quick end to this torture, which unfortunately is way too long at 2 hours and 17 minutes.

Other actors in this bad movie include Steven Yeun, Mark Ruffalo, and Toni Collette and I can only conclude that these well-known actors agreed to act in this movie for an opportunity to work with an Academy Award-winning director – Bong Joon Ho – and then forgot to read the screenplay he wrote.

The Rotten Tomatoes ratings for this film are an insanely high 79%, that is all about the new trend in Hollywood where something never seen before, is more important than quality. My rating, only for some of the special effects is 20%, and a recommendation to run from this disaster of 2 hours.

Movie Review: I’m Still Here


On March 2, 2025 a 60 Minutes broadcast a segment called, “Death Flight” – a story about Argentina in the 1970s where political prisoners were murdered by flying over the Atlantic Ocean and dropping them 10 thousand feet from a plane – to make sure that they were never found. The movie “I’m Still Here”, one of this year’s 10 Academy Award-nominated films, is about a similar dictatorship in Brazil in the 1970s where the government arrested people for no reason, held them prisoner for years, or murdered them, including the method of dropping them into the Atlantic Ocean.

I’m Still Here is about a family living in Argentina in the 1970s when one day, the Argentina goverment walked into their house and arrested the father, Rubens Paiva, played by Selton Mello, for no reason, lying to the family telling them they were just going to question him and Rubens would be back soon. The family never saw Rubens again. A few days later the Argentinan government arrested Rubens wife Eunice Paiva, played by Fernanda Torres, and questioned her in prison for weeks, they were eventually returned. The rest of this story is about the family trying to find out, for many years, what happened to Rubens Paiva, that at times can seem rather boring. The acting is outstanding with Fernanda Torres receiving a best actress Oscar nomination and the film receiving the Best International Film Oscar.

The Rotten Tomatoes ratings of 97% is too high, with my rating at 85% and a solid recommendation.

Movie Review: Anora


In one of the most surprising and unexpected results in Oscar History the movie “Anora” won Best Picture, Best Director, Best Actress, Best Original Screenplay, and Best Film Editing, matching a record previously held by Walt Disney.

From the publication Wrap.pro: “Anora’s big triumph felt like less of a surprise and more of a crescendo to a campaign that started almost a year ago and had finally reached its natural conclusion. What makes this particular success story so staggering is how deliberate and methodical it was, as distributor Neon closely followed its own playbook — one that led Bong Joon-ho’s “Parasite” to historic Oscar success five years ago. Add in a deliberate decision to keep “Anora” off of streaming for the duration of its awards run, and you get a path to Oscar glory.”

As with the horrible Oscar winner “Everything Everywhere All At Once” (2022), Anora is the most recent example of the Oscar awards being rigged by a marketing campaign, that kept the best two movies for 2024, “A Complete Unknown” or the “Brutalist” from winning best picture.

From ChatGP”: “The Wolf of Wall Street” (2013) holds the record for one of the highest uses of the F-word in a feature film. The word is used 569 times throughout the movie, averaging about 2.81 times per minute. This count makes it one of the most profanity-laden films in cinematic history.” For the movie Anora, the F word is used 479 times, with the screenwriter and director Sean Baker most likely aguing: “This is now people in this world talk”. While this is a correct statement, this many F words are not necessary, over a two-hour movie, and seems more overkill than a screenwriter trying to be accurate with dialogue.

This story is about a young woman in her early 20s named Anora, played by Mikey Madison, who has no options to make a living, other than being employed in the sex worker industry. This includes working in a strip club, giving lap dances, and in some cases selling her body for sexual encounters. For any young woman who has a horrible life like this, constantly putting herself in danger of being beaten or murdered, with a suicide rate in the United States that is as high as 18% higher than the general population, this kind of reality can be more like like a slow death, than living.

Through a typical lap dance and conversations with a young Russian man, Ivan played by Mark Eydelshteyn, their relationship grows into a friendship and then a marriage in Las Vegas. Unfortunately, Ivan’s parents are the head of a crime gang that sells weapons, and they do not approve of their son marrying someone they consider a prostitute. There are so many sex scenes between Ivan and Anora, that this movie at times can seem like a softcore porn movie, another example of over-the-top movie making trying to be different.

There is a huge fight scene that lasts at least 15 minutes in the middle of this film, where the Russian criminals employed by this gun-running company attack both Ivan and Anora in a mansion owned by Ivan’s parents. The fight in the mansion is violent with Anora screaming and struggling as she is finally bound and gagged. Her constant screaming becomes a major low point in this movie and like her never-ending F-words, is overkill. During the fight, Ivan runs away, and for a far too long period within this story, the Russian criminals and Anora later try to find Ivan, so that Ivan and Anora can get their marriage annulled.

As impossible as it is to believe that this movie won the Best Picture Oscar for 2024, there is no doubt that the acting is very good by all the actors, especially Mikey Madison. This movie succeeds in painting a picture of a young woman in her 20s trying to stay alive within an unbearable reality with an ending in a car with Mikey and one of the Russian criminals who kidnapped her, that summarizes Anora’s entire terrible life with a perfectly shot small scene.

There is no way that this picture should have received the Best Oscar and Original Screenplay Oscar for 2024, or received a 93% on Rotten Tomatoes, but while never recommending this for children or anyone who hates nonstop foul language – because of the excellent acting only – I do recommend this film.