Movie Review: Flight Risk


One of the first things to recognize about the new Mark Wahlberg movie “Flight Risk” is that on all the movie posters there is a very small mention of director Mel Gibson. The reasons for this are because of Gibson’s drunken rant with police on July 28, 2006, which included anti-Semitic remarks and other offensive comments. Ultimately this incident 18 years ago derailed Gibson’s career in Hollywood. Gibson has had some comebacks over the years, most notably, directing the movie “Hacksaw Ridge”, released in 2016, arguably one of the greatest war movies ever produced. Considering this incident from 2006 and the ones that followed, it is rather remarkable that Gibson continues to work in the film industry.

The other issue I found unusual about this film is that Mark Wahlberg, who plays a small plane pilot who is a murderer working for a mob boss, shaved his head, with the idea that Wahlberg would look more evil if he was bald. Mark Wahlberg can play an evil person without being bald, so risking a shaved head for a movie (what if it does not grow back?) made no sense for this role.

The story of Flight Risk is a simple one. A former accountant for a Mob boss has evidence that can put him in jail. Unfortunately, this accountant, Winston, played very well by Topher Grace has tried to run away to Alaska only to be captured by an FBI agent Madolyn played by Michelle Dockery in a run-down Motel. Typical of Alaska, the only way to transport Winston out of the remote from where he was found to Anchorage is by chartering a small plane. This plane was piloted by a hit man hired by the Mob boss, Daryl, played by Mark Wahlberg. The first flaw here is when the FBI is involved they would hire their own pilot and use their own government plane, never risking what happened in this story. Once again Topher Grace seems to play himself in this story, recognizing him rather than his character, who is a nervous self-deprecating weak man.

After the first 15 minutes of this 87-minute movie is the interaction between the three characters as Madolyn figures out that Daryl is not the real pilot, and fights with him violently several times, eventually using her Tazer to subdue him. What follows is Madolyn figuring out via radio contact with her co-workers at the FBI that there is a mole that created this dire situation on this small plane that almost crashes into the mountains several times as Madolyn desperately tries to land with the help of an air traffic controller in Anchorage.

Overall, I thought this was a solid action movie with a believable plot and action scenes. This film does play like a typical January B movie release, but it will hold your interest throughout the 87 minutes.

I can only guess that the extremely low 21% Rotten Tomatoes ratings for this film are because of the ongoing hatred of Mel Gibson, with my rating 70% and a moderate recommendation for the acting and believable story and action scenes.

Oscar Nominations: 2024


BEST PICTURE

Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked

BEST DIRECTOR

Sean Baker, Anora
Brady Corbet, The Brutalist
Coralie Fargeat, The Substance
Jacques Audiard, Emilia Perez 
James Mangold, A Complete Unknown

BEST ACTRESS

Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

BEST ACTOR

Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

BEST SUPPORTING ACTOR

Yura Borisov, Anora
Kieran Culkin, A Real Pain
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice

BEST SUPPORTING ACTRESS

Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

BEST ADAPTED SCREENPLAY

Jay Cocks and Jay Mangold, A Complete Unknown
Peter Straughan, Conclave
Jacques Audiard, Emilia Pérez
RaMell Ross and Joslyn Barnes, Nickel Boys
Clint Bentley and Greg Kwedar, Sing Sing

BEST ORIGINAL SCREENPLAY

Sean Baker, Anora
Brady Corbet and Mona Fastvold, The Brutalist
Jesse Eisenberg, A Real Pain
Moritz Binder, Tim Fehlbaum, and Alex David, September 5
Coralie Fargeat, The Substance

BEST COSTUME DESIGN

A Complete Unknown
Conclave
Dune: Part Two
Gladiator II
Nosferatu
Wicked

BEST HAIR AND MAKEUP

A Different Man
Emilia Pérez
Nosferatu
The Substance
Wicked

BEST ORIGINAL SCORE

Daniel Blumberg, The Brutalist
Volker Bertelmann, Conclave
John Powell and Stephen Schwartz, Wicked
Clément Ducol and Camille, Emilia Pérez
Kris Bowers, The Wild Robot

BEST LIVE ACTION SHORT

“A Lien”
“Anuja”
“I’m Not a Robot”
“The Last Ranger”
“The Man Who Could Not Remain Silent”

BEST ANIMATED SHORT

“Beautiful Men”
“In the Shadow of the Cypress”
“Magic Candies”
“Wander to Wonder”
“Yuck!”

BEST ORIGINAL SONG

“El Mal,” Emilia Pérez
“The Journey,” The Six Triple Eight
“Like a Bird,” Sing Sing
“Mi Camino,” Emilia Pérez
“Never Too Late,” Elton John: Never Too Late

BEST DOCUMENTARY FEATURE

Black Box Diaries
No Other Land
Porcelain Wars
Soundtrack to a Coup d’Etat
Sugarcane

BEST DOCUMENTARY SHORT

“Death by Numbers”
“I Am Ready, Warden”
“Incident”
“Instruments of a Beating Heart”
“The Only Girl in the Orchestra”

BEST INTERNATIONAL FEATURE

I’m Still Here, Brazil
The Girl with the Needle, Denmark
Emilia Pérez, France
The Seed of the Sacred Fig, Germany
Flow, Latvia

BEST ANIMATED FEATURE

Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST PRODUCTION DESIGN

The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

BEST EDITING

Sean Baker, Anora
Dávid Jancsó, The Brutalist
Nick Emerson, Conclave
Juliette Welfling, Emilia Pérez
Myron Kerstein, Wicked

BEST SOUND

A Complete Unknown
Dune: Part Two
Emilia Pérez
Wicked
The Wild Robot

BEST VISUAL EFFECTS

Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

BEST CINEMATOGRAPHY

Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Edward Lachman, Maria
Jarin Blaschke, Nosferatu

Netflix Movie Review: Back in Action


The new movie “Back in Action” starring Cameron Diaz and Jamie Foxx has been waiting for release for almost 2 years due to the Pandemic and Jamie Foxx nearly dying of a stroke in April 2023.

The problem with this movie is that the entire premise has been done so many times, most recently twice by Mark Wahlberg in “The Union” (2024) and “The Family Plan” (2023), where a husband or a husband and wife are keeping their previous life as CIA spies from everyone they know. Then something happens and they have to reveal their past to everyone. Considering the vast creative resources that Netflix has, it is surprising that this idea, produced too many times already, was done again. Cameron Diaz has been retired from acting since 2014, it is also surprising that she would take this boring run of the mill movie, rather than waiting for something much better.

There is an appearance made later in the movie of actress Glen Close in a forgettable role that we have seen many times before – continuing the theme of this movie which is nothing new, nothing memorable, seen this already.

This time around the Rotten Tomatoes ratings for this film are an extremely low 24% and I agree with this number and do not recommend this very forgettable two hours.