Movie Review: The Dog Stars


There are numerous issues with the new movie “The Dog Stars”, starting with how strange it is that a director with the clout of Ridley Scott would read this script and agree to make this film. The title of this film also makes little sense; yes, there is a dog, and at times they do look at the stars. This phrase refers to Sirius, the brightest star in the night sky, which is commonly called the “Dog Star.” Despite all of this, this story is about a virus that almost wipes out the human population. The Dog Stars is not a good title for this movie.

One of the few good points is that this time around, the virus that almost wipes out the population of the world does not turn people into flesh-eating zombies, for a refreshing new idea about a virus. We have all seen enough zombie movies, both on television and in movie theaters. Enough already.

This story takes place in a bombed-out, disaster-stricken Denver, Colorado, in the year 2035, ten years after the Pandemic. The main character is Hig (Jacob Elordi), a pilot who lives with a friend and mentor, Bangley (Josh Brolin), in a broken-down house/garage, where Bangley is frequently sitting at the top of a tower, shooting anyone who comes close to their shelter with a high-powered rifle. Most impressive is the number of burned-out, broken cars and planes that are constantly littered throughout all the scenes, accounting for most of the production costs. The other remarkable thing about this movie is how thin the action is, with very little happening, making this movie somewhat like the television series Seinfeld (the show about nothing).

Due to restlessness, Hig flies his plane into a new area of Colorado, has major engine problems, is barely able to land the plane, and then runs into a father and daughter, Pops and Cima, who are trying to survive in the middle of nowhere. What follows is very little story and then another bout of restlessness where the three of them somehow are able to fix the plane (never explained), clear the land for a runway, and wind up at an airport where it seems that everybody is crazy. The head of this insane airport is Darline (Allison Janey) – another well-known actor who read the script and agreed to act in this movie, forcing all of us to wonder why.

The ending is very anticlimactic and boring, like too much of this story, with an abrupt ending that was a good thing, because the movie was finally over.

The Rotten Tomatoes rating for this mostly bad movie is a correct 40%, making this movie, considering all the well-known people involved, a big miss.

Movie Review: How to Make a Killing


It is never a good sign for a new movie release when a key fact on the poster does not match the movie. The main character, Becket Redfellow, can inherit 18 Billion Dollars (from the movie), not 28 Billion Dollars (from the movie poster). From ChatGPT, this could be about movie marketing, but for me, this looks like a glaring error right from the start.

After one of the women in a wealthy family marries the wrong man, whom she later divorces after having a son, she is barred from having anything to do with the family or their money. What doesn’t make much sense in the movie’s main premise is how her son could have any claim to the 18 billion dollar family fortune after she was banned from the family, and later dies. Why would her son somehow be able to kill the seven relatives in the family who are the remaining heirs, and then be somehow unbanned from the family because he is the only remaining relative? It also does not appear that the son or his mother are the kind of people who would consider mass murder for money. Why would anyone think they could kill seven people in a row and get away with it? From the start, this logline or movie concept should never have been greenlighted.

“How to Make a Killing” stars Glen Powell as Becket Redfellow, Margaret Qualley as Julia who is a former insane girlfriend of Becket, Jessica Henwick who plays the love interest in Becket and Ed Harris as Whitelaw Redfellow, who is the head of the family and the subject of a hunting rifle and bow and arrow scene with Becket at the end of the film – one of the few impressive scenes in this below average movie. Unfortunately, this movie does not work on several levels, including the rare attempts at humor or irony.

The Rotten Tomatoes ratings are a correct and very low 48%, and I agree with this rating and do not recommend this film.

Movie Review: Honey Don’t


It is not often that a bad movie is released that is directed or written by either Joel or Ethan Coen. Unfortunately, this is the case with the new and very strange film “Honey Don’t”. This movie has three major stars, Margaret Qualley, Aubrey Plaza, and Chris Evans, who probably all took their roles only for the opportunity to work with the Coen brothers, regardless of the quality of the story or screenplay.

The erratic, haphazard story of the strangely titled Honey Don’t is about a private investigator Honey O’Donahue, played by Qualley, who investigates a series of murders in the depressing town of Bakersfield, California ( this movie was shot in Albuquerque, New Mexico). As she investigates the different murders, while visiting a series of broken-down locations and homes, even more killings occur, some of them extremely violent, where most of the killings seem to be excuses to keep the audience from dozing off, as most of this movie is very boring.

I was surprised someone as talented and funny as Aubrey Plaza took this role as a police officer, as there are several shockingly raunchy scenes with Margaret Qualley and an extremely violent scene with Qualley later in the movie. What were these two up-and-coming actors thinking, taking bad roles in a bad movie with horrific scenes like these?

Chris Evans plays a local, perverted evangelist, Reverend Drew Devlin, in a role he will likely regret later in his career. The problem with clout in Hollywood is that a famous and respected director or writer can create a bad project and still attract named actors. The worst example of this is last year’s disaster, “Megalopolis”, directed by Francis Ford Coppola, who spent 124 million dollars of his own money to make one of the worst movies ever produced.

This movie is categorized as a dark comedy, which is used as an excuse for some of the insane and disturbing scenes. There is nothing funny here, within a film that really has no plot and no reason for existing. I agree with the very low ratings of 47% on Rotten Tomatoes and do not recommend this movie.